HNA 2017: a Review of Trifolds… in transit

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You just came back from a haiku conference and now there’s a pile of haiku on your desk.

It’s a good problem to have, but still a problem. I learned from previous experience that if I don’t read the trifolds I picked up at a conference right away, I never will.

In the past, I’d treat my freebies like collector’s items: I’d store them and never touch them again.  But this year, after coming back from HNA2017, I decided I would read them.  So one morning I took a pile of freebies and read them while in transit.

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I decided to start with the Sante Fe themed trifolds.  It seems a few people attending the HNA 2017 conference had already been to Santa Fe and shared their experience of New Mexico in their trifolds.

First on my list was a trifold by Kath Abela Wilson recalling her experience moving to Santa Fe with her young family, and becoming the apprentice of jewellery maker Ross LewAllen.

 

meeting in Santa Fe

I wear earrings I made here

forty years ago

— Kath Abela Wilson

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In Keeping Time: haibun, Penny Harter shares memories of fishing in the canyon:

from abandoned cliff

dwellings ravens call into

the past

— Penny Harter (from “Fishing in the Canyon”, first published in Exit 13)

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In Santa Fe Summer of 2011, Charles Trumbull shares one-line haiku with New Mexico season words.

solstice heat a lizard scuttles through acequia sand

up the Rio Grande ill winds from Arizona

moon blazes red over the Sangre de Christos

— Charles Trumbull

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This trifold by Carole MacRury features a photo of Bandelier Park and a selection of her best haiku such as:

well-worn path –

I take my memories

for a walk

–Carole MacRury

 

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In a colourful trifolds featuring Mount Fuji on one side and a zen garden on the other side, Susan Diridoni laid out her gendai haiku on strips of paper:

kimono backwards her bunraku dream

– Susan Diridoni

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In Ghost Notes, Beverly Acuff Momoi caught my attention with a very original kigo:

my biggest fears

are nameless

moons of Jupiter

— Beverly Acuff Momoi

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In low doorways, paul m. shares haiku inspired by his visit to the Ephrata Cloisters, a semi-monastic community:

dawn chorus

a brother’s snore

part of it

— paul m.

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To celebrate its 25 years, the Haiku Poets’ Society of Western Massachusetts shared a selection of members’ haiku in a beautiful handmade card:

all these years

at the same table

salt and pepper

— Denise Fontaine-Pincine (Haiku Poets’ Society of Western Massachusetts)

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In Night Mist, Jennifer Sutherland  presents a series of haiku about horses:

fading daylight

horse and hill

become one

— Jennifer Sutherland (previously published in A Hundred Gourds, June 2014)

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In Explorations 1, lynnej finds haiku in her surroundings:

after the storm

haiku strewn

along the shore

— lynnej

 

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In Shawls of Rain, Marietta McGregor takes a humorous look at family:

petting zoo…

newlyweds stroke

each other

— Marietta McGregor

 

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In A Few Gourds, Angela Terry reminds us:

taking the shortcut

and missing the journey –

a map of clouds

— Angela Terry (previously published in A Hundred Gourds)

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In VanKuver, Jacquie Pearce offers a mini chapbook filled with haiku inspired by her city:

wet neon city

the young girl’s colourful

splash!

— Jacquie Pearce

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In What’s Left Unsaid: 125 haiku (limited edition), Maxianne Berger allows us to play and form our own haiku with her interactive flagbook:

fireflies adrift

near her husband’s grave

we both smile

— Maxianne Berger

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In On the Bridge (Japan 2014), you’ll find beautiful haiga by Lidia Rozmus, and a selection of haiku by  Lidia, Cynthia A. Henderson, and Charles Trumbull:

one breath

one brush stroke

one

— Lidia Rozmus

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In by the way (limited edition, 35 copies), Don Wentworth takes us on a journey:

translating

a poem differently each time—

the autumn sky

-Don Wentworth

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In Breakfast Alone, Michael Dylan Welch offers us a series of haiku about taste:

breakfast alone

slowly I eat

my melancholy

— Michael DylanWelch

hna2017 trifolds pile IMG_3126Whether you take the trifolds on transit, read them while curled up in your favourite chair, or enjoy them while having breakfast, my advice is to read them right away while the memory of the conference, and the people you met, are still fresh.

 

 

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Bookmarks: design tips and examples for haiku poets

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Bookmarks are a great promotional tool for writers and poets. To create a good bookmark for your next haiku conference, you’ll need:

  • image
  • text
  • contact information (name, e-mail, website)
Bookmark by Frank Carey

Bookmark by Frank Carey

This bookmark by Frank C Carey is one of my favorite freebies. On the front, there’s a photo with a haiku. At the back, there’s a red seal, a QR code, and Frank’s contact information. The design is clean and easy to read.

The bookmark is laminated. I like the addition of the twine: the color matches the photo. Not only is the bookmark beautiful, but it is also practical and durable. It’s been, and still is, my favorite bookmark to use.  Every once in a while, I would see the address on the bookmark and visit Frank’s website, so I would say this bookmark was an effective promotional tool for its author.

(Unfortunately, Frank’s website is no longer active. He says he’s been out of the haiku game but continues to write science fiction. Considering I visited his website 3-4 times in 2 years, the bookmark did a good job in promoting him.)

Moon bookmark

I like this bookmark by Jennifer Sutherland. The design is beautiful. However, it doesn’t have the author’s contact information (website, e-mail).

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Moon bookmark, by Jennifer Sutherland (HNA 2015)

I like the simplicity of this laminated bookmark, but I don’t know the name of the author.

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You can get creative with the photo and text alignment, like Margaret Beverland from New Zealand.

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Bookmarks by Margaret Beverland

Why not use a different material, like a tag made of cloth?

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Tag by Wanda Cook ; bookmark by an unknown author

You can also add more than one haiku, following this example by Claudia Coutu Radmore

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Bookmark by Clauda Coutu Radmore

Kala Ramesh created this beautiful bookmark with haiku, line drawing, and decorative twine.

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Stanford Forrester used a printing press to create his bookmarks. This means he selected each font, placed them, and aligned them in a printing press, added the ink and printed the bookmarks one at a time.

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Bookmark, by Stanford M Forrester

Tips for designing bookmarks:

  • Make it beautiful so people will keep it.
  • Add a twine so the bookmark won’t get lost in a book.
  • Create them months in advance (it takes time to print them)

Are you thinking about creating  a bookmark as your freebie for the next Haiku North America conference? I hope these examples inspire you.

In the next post, I’ll write about creating postcards.